Sony Fx3 Cinema Camera

Availablity: In stock

AED 750 / Day


What's Included

S.No

Equipment’s

Qty

1.        

Sony FX3 Camera Body with Sony E mount

1

2.        

Lens Mount PL or EF (Upon Request)

1

3.        

Sony cfexpress type a 160gb

2

4.        

Card Reader

1

5.        

Sony NP-FW50 Lithium-Ion Rechargeable Battery

4

6.        

Charger

1

Sony Alpha FX3 ILME-FX3, the most compact Cinema Line camera was designed for solo-shooting . With the internal cooling system the FX3 can extend the shooting time and will be able to cover a wider range of shooting situations.  It records outstanding 4K full frame quality at up to 120p with minimal rolling shutter, excellent low light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and new Bionz XR processor. It allows for more shooting expressions with the inclusion of S-LOG3 and S-CINETONE picture profiles defining a new era of Cinema line cameras from Sony. The Sony FX3 also provides more freedom for shooting videos with a fast and accurate Autofocus technology including Real-time Eye Autofocus,  Real-time touch tracking and customisable autofocus tracking sensitivity. It also includes a 5axis inbody stabilisation with Active Mode, which makes it ideal for handheld shots. On top of its small form factor, the Sony FX3 includes a detachable top-handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screw options is already integrated in the body design, which is emphasizing the compact form factor. The Sony Cinema line FX3 is designed for the future of cinematic expressions.

 

Pair your Sony camera with UWP-D Wireless Audio

 

Light, compact and easy to use, UWP-D brings crisp, dependable audio to all content creators.

 

 

FX3 New Cinematic Freedom

 

Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle. 

 

Full-frame image capture even in dim light

 

The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80-102400 for movies is expandable all the way up to 409600.

 

Wide dynamic range, wider creative expression

 

The FX3 offers an exceptional 15+ stops1 of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.

 

Stunning bokeh and full-frame creativity

 

Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

 

Cinematic colour science of S-Cinetone

 

S-Cinetone colour, developed for Sony’s acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading. 

 

4K 120fps with every frame in focus

 

Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).

 

10-bit S-Log3 and HDR recording for smooth gradations

 

S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.

 

16-bit RAW HDMI output

 

For demanding post-production workflows, 16-bit RAW output3 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K, and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution4.

 

Enjoy rich detail and realistic colour

 

The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.   

[1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures

 

Designed for comfortable solo shooting

 

Dependable, highly accurate autofocus

 

The wide-area AF with intelligent tracking uses focal-plane phase-detection for tenacious subject tracking across almost the entire frame5. The Fast Hybrid AF system delivers precise focusing even when shooting at a shallow depth of field and at high frame rates of 120p in 4K (QFHD)2.

 

Sophisticated tracking AF for steady focus

 

Sophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.

 

Smooth transitions and touch focus control

 

The FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customise how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.

 

High-performance E-mount lenses for movies

 

Experience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors.

 

High-mobility performance wherever you go

 

With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down. The main body and covers are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.

 

Attachable XLR handle

 

A handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.

 

In-camera image stabilisation

 

Active Mode6,7,8 is an optical in-body 5-axis image stabilisation system that provides increased stabilisation for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution. 

[1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis)

 

Image stabilisation and easier editing with Catalyst

 

Camera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilised in post-production. Using Sony's Catalyst Browse / Catalyst Prepare desktop application9 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.

 

Expandability and operability for content creators

 

Front and rear tally lamps

 

Tally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.

 

Vari-angle LCD touch-panel monitor

 

The 3.0-type (1.44 million-dot10) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals. Touch-panel support also provides intuitive menu control for many camera settings.

 

Essential controls for efficient solo shooting

 

In addition to six customisable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.

 

Uninterrupted 4K/60p recording

 

For uninterrupted 4K/60p11 recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.

 

XLR adaptor and digital input for quality audio

 

In addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.

 

Dual high-speed media slots

 

Designed for next-generation filmmaking requirements, CFexpress Type A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.

 

Remote camera control and network transfer

 

A network connection, via Wi-Fi® or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop™ application, or from a mobile device with Imaging Edge Mobile™. And captured still and movie files can be transferred using high-speed FTP.

 

Remote preview, shooting and streaming

 

Either wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam™ enables high-image-quality online video communication.

Technical Specifications

General

CAMERA TYPE

Interchangeable lens digital camera

LENS MOUNT

E-mount

Size and Weight

 

WEIGHT (MAIN UNIT ONLY) (APPROX.)

715 g (1 lb 9.3 oz) (with battery and memory card included)

 

640 g (1 lb 6.6 oz) (body only)

WEIGHT (INCLUDING SUPPLIED ACCESSORIES) (APPROX.)

1.015 kg (2 lb 3.8 oz) (with XLR Handle

 

battery pack, SD card)

DIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (APPROX.)

1.015 kg (2 lb 3.8 oz)

 

(with XLR Handle, battery pack, SD card)

DIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (APPROX.)

129.7 mm x 77.8 mm x 84.5 mm

 

(5 1/8 x 3 1/8 x 3 3/8 inches) (body without protrusions

Power

 

POWER CONSUMPTION

[Movie] Approx. 7.3W (with FE 28-70mm F3.5-5.6 OSS lens attached)

 

[Still image] Approx. 3.4W (with FE 28-70mm F3.5-5.6 OSS lens attached)

BATTERY OPERATING TIME

Approx. 95 min (Actual recording, CIPA standard) 1

 

Approx. 135 min (Continuous recording, CIPA standard), Approx. 580 shots (still images, CIPA standard)

Operation

 

OPERATING TEMPERATURE

0°C to 40°C, 32°F to 104°F

STORAGE TEMPERATURE

-20°C to +55°C, -4°F to +131°F

Recording Format(Video)

 

XAVC HS

[XAVC HS 4K] XAVC HS 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-H HEVC

 

H.265, XAVC HS 4K 59.94p/50p 150Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p/23.98p

 

100Mbps 4:2:2 10bit MPEG-H HEVC / H.265, XAVC HS 4K 59.94p/50p 75Mbps 4:2:0 10bit MPEG-H HEVC

 

H.265, XAVC HS 4K 59.94p/50p 45Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 100Mbps

 

4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 50Mbps 4:2:2 10bit MPEG-H HEVC

 

H.265, XAVC HS 4K 23.98p 50Mbps 4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 23.98p 30Mbps

 

4:2:0 10bit MPEG-H HEVC / H.265, XAVC HS 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-H HEVC

 

H.265, XAVC HS 4K 119.88p/100p 200Mbps 4:2:0 10bit MPEG-H HEVC / H.265

 

XAVC S

 

[XAVC S 4K] XAVC S 4K 59.94p/50p 200Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 59.94p/50p

 

150Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p 140Mbps 4:2:2 10bit MPEG-4 AVC

 

H.264, XAVC S 4K 23.98p 100Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p

 

100Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC S 4K 29.97p/25p/23.98p 60Mbps 4:2:0 8bit MPEG-4 AVC

 

H.264, XAVC S 4K 119.88p/100p 280Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S 4K 119.88p/100p

 

200Mbps 4:2:0 8bit MPEG-4 AVC / H.264, [XAVC S HD] XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps

 

4:2:2 10bit MPEG-4 AVC / H.264, XAVC S HD 59.94p/50p/29.97p/25p/23.98p 50Mbps 4:2:0 8bit MPEG-4 AVC

 

H.264, XAVC S HD 59.94p/50p 25Mbps 4:2:0 8bit MPEG-4 AVC / H.264, XAVC HD 29.97p/25p 16Mbps 4:2:0

 

8bit MPEG-4 AVC / H.264, XAVC S HD 119.88p/100p 100Mbps 4:2:0 8bit MPEG-4 AVC / H.264

 

XAVC S HD 119.88p/100p 60Mbps 4:2:0 8bit MPEG-4 AVC / H.264,

 

XAVC S-I

 

[XAVC S-I 4K] XAVC S-I 4K 59.94p 600Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 50p 500Mbps

 

4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 29.97p 300Mbps 4:2:2 10bit MPEG-4 AVC / H.264

 

XAVC S-I 4K 25p 250Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I 4K 23.98p 240Mbps 4:2:2 10bit MPEG-4 AVC

 

H.264, [XAVC S-I HD] XAVC S-I HD 59.94p 222Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 50p

 

185Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 29.97p 111Mbps 4:2:2 10bit MPEG-4 AVC / H.264,

 

XAVC S-I HD 25p 93Mbps 4:2:2 10bit MPEG-4 AVC / H.264, XAVC S-I HD 23.98p 89Mbps 4:2:2 10bit MPEG-4 AVC / H.264,

Recording Format (Audio)

 

RECORDING FORMAT (AUDIO)

LPCM 2ch (48kHz 16bit), LPCM 2ch (48kHz 24bit), LPCM 4ch

 

(48kHz 24bit), MPEG-4 AAC-LC 2ch

Recording Frame Rate

 

XAVC HS

[XAVC HS 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 23.98p

XAVC S

[XAVC S 4K] 3840x2160/119.88p, 100p, 59.94p, 50p, 29.97p, 25p

 

23.98p, [XAVC S-I HD] 1920x1080/59.94p, 50p, 29.97p, 25p, 23.98p

 

XAVC S-I

 

[XAVC S-I 4K] 3840x2160/59.94p, 50p, 29.97p, 25p, 23.98p, [XAVC S-I HD] 1920x1080/59.94p

 

50p, 29.97p, 25p, 23.98p,

Recording/Playback Time

 

XAVC HS

[XAVC HS 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, 

 

When using CEA-G80T (80GB) Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T

 

(160 GB) Approx. 110 minutes, When using CEA-G80T (80GB) Approx. 55 minutes,

 

59.94p/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80GB)

 

Approx. 80 minutes, 59.94p/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes

 

When using CEA-G80T (80GB) Approx. 100 minutes, 59.94p/50p 45M When using CEA-G160T (160 GB)

 

Approx. 340 minutes, When using CEA-G80T (80GB) Approx. 160 minutes

 

XAVC S

 

[XAVC S 4K] 59.94p/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80GB)

 

Approx. 40 minutes, 59.94p/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes

 

When using CEA-G80T (80GB) Approx. 55 minutes, [XAVC S HD] 59.94p/50p 50M

 

When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80GB) 

 

Approx. 150 minutes, 59.94p/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes,

 

When using CEA-G80T (80GB) Approx. 390 minutes

 

XAVC S-I

 

[XAVC S-I 4K] XAVC S-I 4K 59.94p/50p When using CEA-G160T (160 GB) Approx. 25 minutes

 

When using CEA-G80T (80GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p/50p When using CEA-G160T (160 GB)

 

Approx. 75 minutes, When using CEA-G80T (80GB) Approx. 35 minutes

PROXY AUDIO

XAVC Proxy: AAC-LC, 128kbps, 2 channels

PROXY VIDEO

1280 x 720 (Approx. 6Mbps), 1920 x 1080 (Approx. 9Mbps), 1920 x 1080 (Approx. 16Mbps)

Other Video Function

 

VIDEO FUNCTIONS

Audio Level Display, Audio Rec Level, TC/UB, Creative Look, Gamma Display Assist, PAL/NTSC Selector

Camera Section

 

SENSOR TYPE

35mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor

PIXELS

Approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective)

 

for Still images, Approx. 12.9 megapixels (total)

SENSITIVITY

[Movie] ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.)

 

AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400

 

ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.)

 

AUTO (ISO 80-12800, selectable lower limit and upper limit)

SHUTTER SPEED

Movie: 1/8000 to 1/4 (1/3 steps), up to 1/60 in AUTO mode

 

up to 1/30 in Auto slow shutter mode) Still image: 1/8000 to 30 sec, Bulb

Slow & Quick Motion

 

XAVC HS

XAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps

 

120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps

XAVC S

XAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps

 

[PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps

 

2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps2, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps

 

25fps, 50fps, 100fps, 200fps2

XAVC S-I

XAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps

 

[PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps

 

2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps2, [PAL mode] 1fps, 2fps, 3fps, 6fps

 

12fps, 25fps, 50fps, 100fps, 200fps2

White Balance

 

WHITE BALANCE MODES

Auto / Daylight / Shade / Cloudy / Incandescent / Fluorescent / Flash

 

Underwater / Color Temperature (2500 to 9900K) & color filter / Custom

Gamma

 

GAMMA CURVE

Off / PP1-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone

 

Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode

 

Saturation, Color Phase, Color Depth, Detail, Copy, Reset

Latitude

 

LATITUDE

15+ stop (S-Log3)

Focus System

 

TYPE

Fast Hybrid AF (phase-detection AF / contrast-detection AF)

FOCUS POINT

[Movie] 627 points, [Still image] 35mm full frame: 759 points (phase-detection AF)

SENSITIVITY RANGE

EV-6 to EV20 (ISO100 equivalent with F2.0 lens attached)

FOCUS MODE

[Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF)

 

AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus

FOCUS AREA

[Movie] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot

 

[Still image] Wide / Zone / Center / Flexible Spot / Expanded Flexible Spot / Tracking

OTHER FOCUS FEATURES

Eye AF ([Movie] Human (Right/Left Eye Select)

 

([Still image] Human (Right/Left Eye Select) / Animal,),Face detection (Face Priority in AF

 

Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity

 

[Movie] AF Transition Speed, [Still image] Focus Magnifier (35mm full frame: 2.1x / 4.1x, APS-C: 1.5x / 3.0x)

Exposure Control

 

METERING SENSITIVITY

EV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)

EXPOSURE MODES

[Movie] Programmed AE (P) / Aperture priority (A) / Shutter-speed priority (S)

 

Manual (M) / Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M ã€€

Recording (Still image)

 

RECORDING FORMAT

JPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant)

 

HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)

IMAGE SIZE

Image size [3:2] 35mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L:5.1M

 

M: 3.0M, S: 1.3M, Image size [4:3] 35mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M

 

M: 2.7M, S:1.1M Image size, [16:9] 35mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M

 

S: 1.1M, Image size [1:1] 35mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M

Playback

 

PLAYBACK FUNCTIONS

Index view, Folder selection (Date / Still / Movie)

 

Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills)

 

Rating (stills), Display as Group (stills)

Interface

 

AUDIO INPUT

3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR/TRS-type 3-pin(female) (x2)

 

line/mic/mic +48V selectable, Mic Reference -40 to -60 dBu / [INPUT3] 3.5 mm Stereo minijack)

USB

USB Type-C (x1, SuperSpeed USB 5Gbps (USB 3.2) compatible), Multi/Micro USB (x1)

HEADPHONE OUTPUT

Yes (3.5 mm Stereo minijack)

SPEAKER OUTPUT

Built-in, monaural

HDMI OUTPUT

HDMI jack (Type-A), YCbCr 4:2:2 10bit / RGB 8bit

MULTI INTERFACE SHOE

With Digital Audio Interface

BLUETOOTH

Bluetooth Standard Ver. 5.0 (2.4GHz band))

Media

 

MEDIA TYPE

CFexpress Type A / SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy

Monitoring

 

LCD

7.5cm (3.0-type) type, approx. 1.44M dots, Opening Angle:Approx. 176 deg., Rotation Angle:Approx. 270 deg.

Built-in Microphone

 

BUILT-IN MICROPHONE

Built-in, stereo

File System

 

FILE SYSTEM

FAT12, 16, 32, exFAT

Zoom

 

ZOOM FUNCTION

Zoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD)

 

[Still image] Approx. 2x ), Digital zoom ([Movie] 35mm full frame: approx. 4x, APS-C: approx. 4x

 

[Still image] 35mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx

 

4x, M:approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35mm full frame: M: approx. 1.5x

 

S: approx. 2x, APS-C: M:approx. 1.3x, S: approx. 2x)

Still image function

 

SHUTTER

Mechanical shutter / Electronic shutter

DRIVE MODES

Single Shooting, Continuous shooting (Hi+/Hi/Mid/Lo selectable), Self-timer

 

Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket

CONTINUOUS SHOOTING SPEED

Hi+: 10 fps, Hi: 8 fps, Mid: 6 fps, Lo: 3 fps

NOISE REDUCTION

Long exposure NR: On/Off, available at shutter speeds longer than 1 sec.

 

High ISO NR: Normal / Low / Off

FLASH CONTROL

Sony α System Flash compatible with Multi Interface Shoe, attach the shoe adaptor

 

for flash compatible with Auto-lock accessory shoe, Flash sync speed 1/250 sec.

OTHER STILL IMAGE FUNCTION

Electronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot 3

Image Stabilization

 

TYPE

Image Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)

MODE

[Movie] Active / Standard / Off, [Still image] On / Off

COMPENSATION EFFECT (STILL IMAGES)

5.5 stops (based on CIPA standard. Pitch/yaw shake only

 

With Planar T* FE 50mm F1.4 ZA lens mounted. Long exposure NR off.)

Custom Function

 

CUSTOM FUNCTION

Custom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set

Lens Compensation

 

LENS COMPENSATION

Peripheral Shading, Chromatic Aberration, Distortion

Wi-Fi/NFC

 

SUPPORTED FORMAT

IEEE 802.11a/b/g/n/ac

FREQUENCY BAND

2.4GHz band/5GHz band4

SECURITY

WEP/WPA-PSK/WPA2-PSK

NFC

NFC Forum Type 3 Tag compliant

FTP Transfer

 

FTP TRANSFER

Wired LAN (USB-LAN), USB Tethering, Wi-Fi